We study, in a fully nonperturbative calculation, a dilute system of spin 1 / 2 interacting fermions, characterized by an infinite scattering length at finite temperatures. Various thermodynamic properties and the condensate fraction are calculated and we also determine the critical temperature for the superfluid-normal phase transition in this regime. The thermodynamic behavior appears as a rather surprising and unexpected mélange of fermionic and bosonic features. The thermal response of a spin 1 / 2 fermion at the BCS-BEC crossover should be classified as that of a new type of superfluid.
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Leading off what’s unquestionably the most scatological album to ever hit (what else?) No. 2 on the Billboard 200 Albums chart, this tabla-enhanced rager forced even Matt Pinfield to refer to it simply by waving his fist in front of his face on MTV. But the original follow-the-chemtrails grunge-prog purveyors pulled their heads out of their asses for “Stinkfist,” which made its riffy point in a lean-for-Tool five minutes. Why’d they have to go and make things so disgustipated. — D.W.
Forget the murder-y urban myths surrounding the Ohio Players original — Red Hot Chili Peppers certainly have, too busy pumping the surreal ’70s party staple with crackling distortion and way-too-excited “AWWW S**T! !” hypespeak to worry about anything but the most naked interpretations. Featuring Beavis & Butt-Head on guest kazoo! — A.U.
Too stylish to be grunge baccarat zodiac paperweight virgo, not histrionic enough to be emo, not doomy enough to be metal paypal casino toledo, too slick to be shoegaze. Failure were destined to be wards of the major-label state until “Stuck on You” became the alt-rock “There She Goes” — a shimmering ode to heroin mistakenly plopped on hundreds of blushing mixtapes. — IAN COHEN
“The Middle” was Jimmy Eat World mouthpiece Jim Adkins’ pep talk to himself after an ill-fated first go-round as a major-label band. In 1996, Alternative Nation was more accepting of ska and Dishwalla than the anguished best online casino canada side, heart-clutching sound of emo defined by “Claire” — a fan favorite which quietly established the missing link between Sunny Day Real Estate and KROQ a year before “Everlong” did. — I.C.
That riff is cumbersome, the original version of this song was a cumbersome six minutes long, the word cumbersome itself is cumbersome. And while “She calls me Goliath and I wear a David mask” is one of the most cumbersome opening lyrics to any song that managed heavy rotation, it nonetheless summarized an aesthetic of gruff, austere, and utterly sexless masculinity that would define the future of post-grunge: 3 Doors Down claimed they started out as a Seven Mary Three cover band. — I.C.
Like Black Tambourine before them, this West Coast contingent of C86 disciples decided that indie pop might sound a little better run through a distortion pedal with a little lighter fluid tossed on top. “Target Practice”— from sole full-length Bust ‘Em Green -- is one of Henry’s Dress’ most gloriously trashed tracks, burning through a whole host of searing riffs and singer Amy Linton’s fiery kiss-offs (“How I’d love to see you in springtime / And I’d kick you in the fall”) in just over 100 seconds before cutting to black. Unsurprisingly for such blazing stars, they’d break up just months after the album’s release. — C.J.
The queen Amy Grant paved the way for CCM’s ‘90s crossover: This was a decade in which dc Talk, Kirk Franklin, Michael W. Smith canada online gambling growth, and Sixpence None the Richer all dented the pop charts. But Jars — a pack of Toad the Wet Sprocket fans from a Methodist college in Illinois — also nabbed some measure of MTV cred. The out-of-focus, rain-soaked video paired well with the group’s muddy acoustic rock, produced by King Crimson’s Adrian Belew. Their keening Noahic plaint made careful study of the current loud-quiet-loud dynamic: Call it “Smells Like Holy Spirit.” — B.S.
Maybe the least combustible of the frenetic scorchers found on Brainiac’s Hissing Sprigs in Static Couture. which isn’t saying much. The cracked machines of Dayton math rock still sound like a time-bomb on “Nothing Ever Changes,” just one in which the countdown clock is actually showing: “Scream if you wanna scream,” they warn in octave-separated harmony, but their guitars are already screeching enough for everyone. — A.U.
One of 20 sweet and stinging transmissions from the hornets’ nest that was sophomore Wrens album Secaucus. a scorching line-drive about powerlessness and aimlessness that wisely cedes control to the guitars at the end. Heartbreaking even before you consider how prophetic “It’s not supposed to turn out right” would be for the band’s career. — A.U.
The Lemonheads built a career from an off-kilter marriage between sweet, innocent melodies and dark online slots machines canada winnipeg, depressing lyrics(often inspired by frontman Evan Dando’s struggles with drug addiction). “If I Could Talk I’d Tell You” represents the platonic ideal of this arrangement: a jovial slots canada queen, jangly singalong detailing love at its most passionate (and abusive) by way of references to Zoloft, the Khmer Rouge online craps for real money pool, and Mein Kampf. among other uplifting topics. — ZOE CAMP
Not post-rock, but post- rock — post-punk, post-hardcore canada online slots 5 dragons, post-grunge, post-alt. Over the most incendiary guitar-harmonic grind since Big Black’s “Kerosene free online slots konami,” Scott McCloud is too subsumed in JAMC-borrowed narcissism to articulate more than is absolutely necessary: “Kiss cool / Cool kiss / I love it when they turn the bliss on.” — A.U.
Alien Lanes was where Robert Pollard perfected his brand of ajar songplay, knocking off another tunelet before the one you’re humming is finished. So why not go legit? Under the Bushes online canadian slots app, Under the Stars made strides toward the normal — though naturally, Pollard’s Britpop-cum-arena idea of normal often sounded like R.E.M. giving Murmur a shiny lo-fi overhaul slot games win real money, while aboveground, the Gin Blossoms mined the Scott Litt era. You could even call this epic three-minute anthem earnest; talk about the passion. — D.W.